More Seattle Records (Not in the Book)

Posted: December 19, 2011 in Miscellaneous

that you should hear…

 1)      The Green Pajamas, Summer of Lust (Self-released, 1984.)  Recorded in Jeff Kelly’s bedroom, this collaboration between Kelly and Joe Ross could only have been made by two naïve young artists in love with the Beatles and psychedelia.  (Try ebay or contact Tom Dyer via greenmonkeyrecords.com.)

2)      3 Swimmers, The Worker Works To Live (Engram, 1982.)  Accused by some of ripping off Gang of Four, 3 Swimmers’ friendship with G of F certainly created an influence, but regardless, this EP showcases Seattle at its post-punk finest.  3 Swimmers did subscribe to a similar British socialist philosophy, but this EP—particularly the title track propelled by drummer George Romansic—captures Seattle during the peak of its early ’80s post-punk years.  (Ebay.)

3)      Room Nine, Voices…Of a Summer’s Day (C’est La Mort, 1987.)  Room Nine’s only full-length offering showcases Seattle’s leading Paisley Underground act.  (Ebay.)

4)      Capping Day, Post No Bills (Popllama, 1990.)  Combining the velvet harmonies of Laura Weller and Bonnie Hammond, Post No Bills features the classic “Mona Lisa,” and offers another wonderful contrast to the Seattle Sound stereotype. (Try emailing Conrad Uno at info@eggstudios.com.)

5)      Bundle of Hiss, Sessions—1986-88 (Loveless, 2000.)  Due to the efforts of drummer Dan Peters and producer Jack Endino, audiences get treated to two periods of Bundle of Hiss.  The CD, of which one track came directly from a cassette, begins with the blues/hard rock version of the band, with Jamie Lane on lead vocals and goes back in time to Bundle of Hiss’ post-punk days with front-man Russ Bartlett. (Try info@lovelessrecords.com or iTunes.)

6)      Soundgarden, Screaming Life/Fopp (Sub Pop, 1990).  Issued as a double EP set, Life documents early Soundgarden at their weird alga mum combining metal, punk, and post-punk, particularly showcased in “Hunted Down.”  (Try subpop.com.)

7)      TAD, 8-Way Santa (Sub Pop, 1991.)  TAD’s could-a-been record recorded by Nevermind producer Butch Vig, offers metal-esque sludge like “Jinx,” “Stumblin’ Man,” and “Jack Pepsi,” but showcases the band’s sensitive side with the melodic “3-D Witch Hunt.” (Try subpop.com or iTunes.)

8)       Swallow, Teach Your Bird to Sing (Flotation, 2007.)  Swallow’s third effort, recorded in 1990 for Sub Pop but not contemporaneously released, finally saw the light of day in 2007 after mastering by Chris Hanzsek.  Nothing really grunge about this one, just one great hard rock song after great hard rock song by a band with two guitar players and songwriters (Chris Pugh and Rod Moody).  My favorite is the Pugh-penned “40 Days.”  (Try flotationrecords.com.)

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s